I’d like to introduce a dear friend of mine, Audra George who is a guest writer for ATG. Ms. George is an actor and acting teacher in New York City and I can say that she has the most electric personality. Her review of FELA! is honest and like her, I urge you to go out and see this show when you’re in the city visiting or if you live there. Enjoy Audra George for ATG and her review of FELA!
Fela!
By: Audra George
Like many Americans who experience Fela! on Broadway, I entered the Eugene O’Neill theatre knowing very little about the man who inspired the play, Fela Anikulapo-Kuti. Kuti took a political stand against the Nigerian military by speaking out through his music. He called it Afrobeat, a fusion of jazz, funk, psychedelic rock and traditional West African chants and rhythms. Kuti’s legacy is his music. Fela!, conceived by Bill T. Jones, Jim Lewis and Stephen Hendel, is undeniably propelled by the music. The placement of Kuti’s songs within the script leaves questions about the chronology of the events of his life but as Kevin Mambo’s Fela recalls his past, the memories illustrate the essence of Fela’s spirit and the songs build the story.
Fela’s mystical connection to his ancestors is woven throughout the play. The theatre is transformed into Fela’s legendary nightclub, The Shrine. Colorful masks, signs and photographs representing ancestors adorn the auditorium with watchful wisdom. The spirit of Fela’s deceased mother, Funmilayo, enchantingly portrayed by Tony Award winning actress Lillias White, is a constant presence. During the Dance of the Orisas, Fela makes a stunning, black light soaked ascent towards the spirit world to seek advice from Funmilayo’s spirit. Scenic and costume designer, Marina Draghici, and lighting designer, Robert Wierzel, collaborate beautifully to create a multidimensional, eye-popping montage complete with puppets, video projections and Yoruba spiritual costumes. With an intimate glimpse into Fela’s spiritual composition, it is difficult not to reflect on one’s own spirituality and connection with ancestors.
We see flashbacks into Fela’s life in London, his visit to America during the Black Power movement, his polygamous union with twenty-seven wives, and his apprehension towards James Brown’s music as it sweeps through Africa and leaves him fearful of its lack of African authenticity. While reveling in the infectious energy of the Antibalas Afrobeat Orchestra’s rhythms, the erotic and exciting skill of the dance company and Bill T. Jones’ vibrant choreography, I still found myself desiring a dramatic glimpse into the raw emotion that inspired Fela’s music. Kuti’s songs were an open attack on a corrupt and repressive Nigerian dictatorship. In response to his song “Zombie,” the Nigerian government set fire to his commune, the Kalakuta Republic. Kuti was severely beaten and his mother was killed. In his lifetime, Kuti was sent to court over 200 times and spent several years in a maximum-security prison. He died from AIDS in 1997. Following a lifetime of suffering, this production succeeds in celebrating Fela’s achievements and joys by representing his hardships with humor, but it falls short of illustrating the incredible, inextricable struggle that fueled his determination to fight against corruption.
Fela! is an electric, kinetic experience. Its message proves relevant to an American audience. The script reinforces resistance against corrosive political and law enforcement entities that inflict violence and unregulated power over the innocent. The design team makes sound vibrations visible through color, texture and light. The strength of Kuti’s message is embodied by the dancers and musicians, whose stamina and grace is evident from the top to curtain. Prompted to interact, dance and jive, the audience joins the ensemble in reveling the life and music of Fela Anikulapo-Kuti.
******CONTEST*****
In celebration of this fantastic new Broadway show ATG readers have been given the chance to win two tickets to a showing of FELA! in New York City. Please email your contact information to the following email address with FELA! Contest in the subject line. In two weeks we will choose a winner at random. Good luck!!
ATGcontests@gmail.com
Tags: Broadway musical hit, Contest win FELA! tickets, Eugene O’Neill theatre, Fela Anikulapo-Kuti., FELA! Review, NYC shows

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